WHAT WE DO
Color
With a wealth of experience ranging from broadcast television to independent film, streaming series, commercials, music videos, and tentpole features, our award-winning roster of colorists and finishing artists are available globally to collaborate on projects of all shapes, sizes, and budget levels.
The Comeback 'S3'
Color
VFX
Pizza Movie
Color
Dead End - Snail Mail
Color
Cross S2
Color
Editorial
Dailies
Sound
How to Make a Killing
Color
Free Bert
Color
Dailies
Editorial
Best Medicine
Color
Dailies
Editorial
K-Pops!
Color
Editorial
Tuner
Color
Editorial
It's Not Like That
Color
Dailies
Mel Brooks: The 99 Year Old Man!
Color
The Borderline
Color
Editorial
Sound
Kissing is the Easy Part
Color
Editorial
Sound
Tow
Color
Editorial
The Audacity
Color
Dailies
Editorial
American Classic
Color
Editorial
Samsung: Galaxy Z Fold7: Dunk Off
Color
Imperfect Women
Color
Editorial
VFX
T-Mobile: Tell Me Why
Color
By Design
Color
Something Very Bad is Going to Happen
Color
Sound
Vladimir
Color
Dailies
Goat
Color
Spider-Noir
Color
Untitled Home Invasion Romance
Color
Editorial
Sound
The Beauty
Color
Dailies
Editorial
I Just Might - Bruno Mars
Color
School Spirits S3
Color
Dailies
Digger
Color
The Pitt S2
Color
Dailies
Editorial
Disclosure Day
Color
Editorial
Wild Cards S2-S3
Sound
Color
Bridgerton S1-S4
Color
VFX
Pulse
Dark Winds S1-S4
Color
Editorial
Amorosa
Color
Editorial
The Plague
Color
Editorial
A Make or Break Holiday
Color
Editorial
Sheriff Country
Color
Editorial
Boston Blue
Color
Editorial
The SpongeBob Movie: Search for Squarepants
Color
Editorial
Teenage Mutant Ninja Turtles: Chrome Alone 2 - Lost in New Jersey
Color
Editorial
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The Copenhagen Test
Color
Editorial
Dailies
Anaconda
Color
Editorial
VFX
Twenty One Pilots - City Walls
Color
The Abandons
Color
Editorial
Dayseeker - Crawl Back To My Coffin
Color
The Chronology of Water
Color
Merv
Color
Editorial
Last Days
Color
Editorial
Five Nights at Freddy's 2
Color
Editorial
VFX
Rental Family
Color
Editorial
In Our Blood
Color
Editorial
Instagram - Teen Accounts
Color
Mango
Color
Three Wisest Men
Color
Editorial
Everything on the Menu with Braun Strowman
Color
Editorial
Bebemos Tequila - The New Classic
Color
The Twits
Color
Børnene fra Sølvgade 2
Color
Yae: The Blind Samurai Woman
Color
The Home Team: NY Jets
Color
Editorial
Fight for Glory: World Series 2024
Color
Editorial
I Love LA
Color
Editorial
VFX
Swiped
Color
Editorial
LEGO Star Wars: Rebuild the Galaxy - Pieces of the Past
Color
Brilliant Minds S2
Color
Editorial
Doc S2
Color
Editorial
Heartland S19
Color
Dailies
Editorial
Monster: The Ed Gein Story
Color
Editorial
VFX
Happy Face
Color
Editorial
Adulthood
Color
Editorial
Talamasca: The Secret Order
Color
Editorial
The Diplomat S3
Color
Dailies
VFX
Editorial
Fixed
Color
Editorial
Riff Raff
Color
Gerber: Sorry!
Color
The Hunting Wives
Color
Editorial
Hardwood Floor - Morgan Wade
Color
Dead Dance - Lady Gaga
Color
The Furry Detectives: Unmasking a Monster
Color
Motrio: The Wonderful Tale of Motrio
Color
Kpop Demon Hunters
Color
Editorial
Birthrite
Color
Editorial
Samsung: Galaxy Z Fold7
Color
Murderbot
Color
Editorial
Near or Far
Color
Editorial
Irish Blood
Color
Editorial
Caught Stealing
Color
Editorial
VFX
Paradise Records
Color
Editorial
Dora and the Search for Sol Dorado
Color
Editorial
Dexter: Resurrection
Color
Editorial
Ballard
Color
Editorial
VFX
Oh, Hi!
Color
Editorial
Ick
Color
Editorial
The Stranger in My Home
Color
Shook
Color
Editorial
Jeep: Jurassic Trail Rated
Color
Transaction
Color
Editorial
Wolt+
Color
Locked
Color
Color
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
What we do
Services
Color
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.