WHAT WE DO
Sound
We love sound! We love to use our creative and technical expertise to make film, television and streaming shows sound rich, interesting and a pleasure for audiences in all realms to enjoy. Our award-winning re-recording mixers, supervisors, designers, and editors take great pride in the quality of their work from the clarity and fullness of production dialogue and ADR to sound design and creative soundscapes, both natural and heightened.
Services: Supervision | Sound Design | Editorial | ADR | Mixing
Cross S2
Color
Editorial
Dailies
Sound
The Borderline
Color
Editorial
Sound
Kissing is the Easy Part
Color
Editorial
Sound
Something Very Bad is Going to Happen
Color
Sound
Untitled Home Invasion Romance
Color
Editorial
Sound
Wild Cards S2-S3
Sound
Color
Out Standing
Sound
The Players
Sound
The Handmaid’s Tale
Sound
Fear Street: Prom Queen
Color
Editorial
Sound
Seven Veils
Color
Dailies
Editorial
Sound
Hell of a Summer
Color
Editorial
Sound
The Way Home S1-S3
Dailies
Color
Sound
Law and Order Toronto: Criminal Intent S1-S2
Color
Editorial
Dailies
Sound
Ginny and Georgia S1-S3
Color
Editorial
Sound
The Summer I Turned Pretty S1-S3
Color
Editorial
Dailies
Sound
Vikings: Valhalla
Sound
Halo S1-S2
Sound
Poacher
Color
Sound
Beautiful Evening, Beautiful Day
Color
Sound
Rumours
Color
Sound
Accused S1-S2
Color
Editorial
Sound
Swan Song
Sound
Sort Of
Sound
Uma & Haggen: Princesa Y Vikingo
Sound
The Queen of My Dreams
Sound
Mr. Dressup: The Magic of Make-Believe
Sound
Infinity Pool
Sound
BlackBerry
Sound
The Iron Claw
Sound
Fargo
Color
Dailies
Sound
Glamorous
Color
Editorial
Sound
Women Talking
Color
Editorial
Sound
Slasher S4-S5
Color
Editorial
Sound
SurrealEstate S2
Color
Editorial
Sound
Skymed S1-S2
Color
Editorial
Sound
Fellow Travelers
Color
Editorial
Sound
The Young Arsonists
Sound
To Kill a Tiger
Sound
Drake - Sticky
Sound
Thai Cave Rescue
Sound
Brother
Color
Editorial
Sound
Pretty Hard Cases S1-S2
Sound
The North Water
Color
Editorial
Sound
Condor
Sound
Vikings
Sound
Cardinal
Sound
Schitt's Creek
Sound
Anthropocene: The Human Epoch
Sound
Drake - Nonstop
Sound
Scarborough
Color
Editorial
Sound
Penny Dreadful
Sound
Zoom
Sound
Hyena Road
Sound
Sleeping Giant
Sound
Heading Out
Sound
Coronation Street
Sound
Scott & Bailey
Sound
Doc Martin
Sound
Editorial
Midnight’s Children
Sound
Exile
Sound
Blindspot
Sound
Editorial
Ideal
Sound
Editorial
Single Father
Sound
Accused
Sound
Mr. Nobody
Sound
Blue Murder
Sound
The Street
Sound
Blindness
Sound
My Winnipeg
Sound
Waterloo Road
Sound
Peep Show
Sound
Editorial
Silent Hill
Sound
Vincent
Sound
The Mighty Boosh
Sound
Editorial
Early Doors
Sound
Cold Feet
Sound
Crash
Sound
Britannia High
Sound
Linda Green
Sound
Bedlam
Sound
Silky Hotel
Sound
Editorial
The Piccadilly Rats: Live in Moderation
Sound
Editorial
Porridge
Sound
Sound
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
What we do
Services
Sound
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.