WHAT WE DO
Sound
We love sound! We love to use our creative and technical expertise to make film, television and streaming shows sound rich, interesting and a pleasure for audiences in all realms to enjoy. Our award-winning re-recording mixers, supervisors, designers, and editors take great pride in the quality of their work from the clarity and fullness of production dialogue and ADR to sound design and creative soundscapes, both natural and heightened.
Services: Supervision | Sound Design | Editorial | ADR | Mixing
Out Standing
Sound
The Players
Sound
The Handmaid’s Tale
Sound
Fear Street: Prom Queen
Color
Editorial
Sound
Seven Veils
Color
Dailies
Editorial
Sound
Wild Cards S2
Sound
Hell of a Summer
Color
Editorial
Sound
The Way Home S1-S3
Dailies
Color
Sound
Law and Order Toronto: Criminal Intent S1-S2
Color
Editorial
Dailies
Sound
Ginny and Georgia S1-S3
Color
Editorial
Sound
The Summer I Turned Pretty S1-S3
Color
Editorial
Dailies
Sound
Vikings: Valhalla
Sound
Halo S1-S2
Sound
Poacher
Color
Sound
Beautiful Evening, Beautiful Day
Color
Sound
Cross
Color
Dailies
Editorial
Sound
Rumours
Color
Sound
Accused S1-S2
Color
Editorial
Sound
Swan Song
Sound
Sort Of
Sound
Uma & Haggen: Princesa Y Vikingo
Sound
The Queen of My Dreams
Sound
Mr. Dressup: The Magic of Make-Believe
Sound
Infinity Pool
Sound
BlackBerry
Sound
The Iron Claw
Sound
Fargo
Color
Dailies
Sound
Glamorous
Color
Editorial
Sound
Women Talking
Color
Editorial
Sound
Slasher S4-S5
Color
Editorial
Sound
SurrealEstate S2
Color
Editorial
Sound
Skymed S1-S2
Color
Editorial
Sound
Fellow Travelers
Color
Editorial
Sound
The Young Arsonists
Sound
To Kill a Tiger
Sound
Drake - Sticky
Sound
Thai Cave Rescue
Sound
The Great Pottery Throw Down S5
Sound
Editorial
Brother
Color
Editorial
Sound
Pretty Hard Cases S1-S2
Sound
The North Water
Color
Editorial
Sound
Condor
Sound
Anne With an E
Sound
Vikings
Sound
Cardinal
Sound
Schitt's Creek
Sound
His Dark Materials S2
Sound
Last Tango in Halifax: S5
Sound
Heroes
Sound
Editorial
The Accidental President
Sound
Editorial
The Last Ascent: Will Gadd’s Return to Kilimanjaro
Sound
Editorial
The Hunt for Escobar's Hippos
Sound
Editorial
Inside Missguided: Made in Manchester
Sound
Editorial
The Greatest Dancer S2
Sound
Editorial
David vs Goliath
Sound
Editorial
The Wall
Sound
Editorial
Ella Fitzgerald: Just One Of Those Things
Sound
Editorial
The Ripper
Sound
Editorial
Sarah Beeny's New Life in the Country
Sound
All Creatures Great & Small
Color
Editorial
Sound
Gathering Storm
Color
Sound
All or Nothing: Brazilian National Team
Sound
Color
Cavendish
Sound
Another Life
Sound
Creeped Out
Color
Editorial
Sound
Buy it Now for Christmas
Sound
Editorial
Gary Neville in Qatar
Sound
Editorial
All Together Now
Sound
Editorial
Mark Ronson: From the Heart
Sound
Editorial
Airport 24/7: Thailand
Sound
Editorial
Supermarket Sweep
Sound
Editorial
One Day That Changed My Life
Sound
Editorial
Plastic Surgery Undressed
Sound
Editorial
Idiot TV: 2
Sound
Editorial
The Last Igloo
Sound
Editorial
Cold Call
Color
Editorial
Sound
The Disapperance of Madeleine McCann
Sound
The Grand Tour: Colombia
Sound
Editorial
Anthropocene: The Human Epoch
Sound
Drake - Nonstop
Sound
Death on the Tyne
Sound
The Worst Witch
Sound
Butterfly
Sound
Grand Prix Driver
Sound
Editorial
Greg Davies: You Magnificent Beast
Sound
Editorial
SAS: Who Dares Wins
Sound
Editorial
Kiss Me First
Sound
Editorial
Gun No 6
Sound
Pip Ahoy!
Sound
The ABC Murders
Color
Editorial
Sound
Scarborough
Color
Editorial
Sound
Molly's Game
Sound
Russell Howard: Recalibrate
Sound
Editorial
Down the Mighty River with Steve Backshall
Sound
Editorial
Made In Chelsea: 14
Sound
Editorial
Raa Raa the Noisy Lion
Sound
Editorial
Meet the Trumps: From Immigrant to President
Sound
Editorial
People of Earth
Color
Editorial
Sound
Penny Dreadful
Sound
The Five
Sound
Sound
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
What we do
Services
Sound
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.