WHAT WE DO
Managed Service Contracts
High-End Post-Production, Built for Scale
Our London facility is a full-service post-production hub designed around world-class craft, technical expertise, and scalable capacity. We partner with our clients through Managed Service Contracts that embed our people, technology, and operations directly into their workflow, delivering seamless, end-to-end support as a single, flexible resource.
Smarter Workflows. Better Outcomes.
We help you reduce cost, scale with confidence, and de-risk your post-production operations by building bespoke workflows tailored to your needs. Powered by best-in-class technology, our solutions operate effortlessly across in-house, on-premises, and remote environments.
Through a strong network of leading third-party vendors, we bring the right tools to every project. Our ongoing investment in R&D ensures we stay ahead of industry change, so our clients benefit from cutting-edge technology, future-ready workflows, and a team that evolves with their demands. That means suites and infrastructure when they're needed, technical staffing that flexes with volume, and craft specialists making and finishing content.
Flexible Engagement. Consistent Excellence.
Picture Shop London also operates as a standalone short-form post facility. From craft and finishing to sound and delivery, we support promos, social content, and branded work with no managed service framework required around it. Whether you need a fully embedded long-term team or a single, fast-turnaround project, you’ll have access to the same high-end facilities, advanced technology, and exceptional talent.
From a single, fast turn-around project to a fully-embedded team, let's talk about what you need: uksales@pictureshop.com
Glastonbury 2023
Managed Service Contracts
2023 World Athletics Championships
Managed Service Contracts
Managed Service Contracts
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
What we do
Services
Managed Service Contracts
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.