WHAT WE DO
Pulse
With Picture Shop’s PULSE cloud-based asset management and VFX pull platform, your media is available at your fingertips 24/7/365, safely and securely. Quickly and easily pull and send shots anywhere in the world at your leisure with the trust and knowledge that your media will always be available to your creative teams without data wrangling or manual file transfers.
Bridgerton S1-S3
Color
VFX
Pulse
Only Murders in the Building S2-S4
Color
Pulse
Dailies
The Santa Clauses
Color
Pulse
Creed III
Dailies
Pulse
Queen Charlotte
Color
Pulse
The Little Mermaid
Color
Pulse
Strays
Color
Pulse
Quantum Leap
Color
Pulse
The Wheel of Time S1 & S2
Color
Editorial
Pulse
Guillermo del Toro's Cabinet of Curiosities
Color
Editorial
Pulse
Sound
Andor
Pulse
Dailies
Shadow and Bone
Color
Pulse
The Wheel of Time
Color
Pulse
Call of the Wild
Pulse
X-Men: Dark Phoenix
Color
Pulse
Aladdin
Color
Pulse
Servant
Color
Pulse
Black Mirror: Striking Vipers
Color
Editorial
Pulse
The Meg
Color
Pulse
The Orville
Color
Pulse
Allied
Pulse
This Is Us
Color
Pulse
The Wolverine
Pulse
Pulse
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
Pulse
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.