WHAT WE DO
VFX
Our in-house post-production visual effects team specializes in the invisible fixes and enhancements that every project needs.
From aging and de-aging to simple blemish removal and complex wrinkle smoothing, we have a team of artists who specialize in seamless, discreet beauty work. Our team can also add the action elements - muzzle flashes, bullet hits, ricochets - that bring danger and excitement to your scenes.
Other services include 2D compositing such as blue/green screens, driving sequences, and screen inserts from your supplied plates, set extensions, and sky replacements. From paint outs to production fixes, our in-house team can also assist with unplanned issues, whether it’s a continuity issue, a wardrobe malfunction, or a QC 911. Our senior artists will partner closely with your team to dial in looks to help deliver your project on time.

Imperfect Women
Editorial
VFX

Bridgerton S1-S4
Color
VFX
Pulse

Five Nights at Freddy's 2
Color
Editorial
VFX

Monster: The Ed Gein Story
Color
Editorial
VFX

The Diplomat S3
Color
Dailies
VFX
Editorial

Caught Stealing
Color
Editorial
VFX

Ballard
Color
Editorial
VFX

The Bondsman
Color
Editorial
VFX

Final Destination Bloodlines
Color
Dailies
Editorial
VFX

Elsbeth S1-S3
Dailies
Color
VFX

NCIS S1-S23
Color
VFX

You S1-S5
Color
Editorial
VFX

The Penguin
Color
Editorial
VFX

Dark Matter
Color
Dailies
VFX

Masters of the Air
Color
Editorial
VFX

Bookie
VFX

United States of Al
VFX

The Lincoln Lawyer
Color
VFX

NCIS: Hawai'i
Color
VFX

Julia
Color
Editorial
VFX

McGyver
VFX

And Just Like That...
Color
VFX
Dailies

The Falcon and the Winter Soldier
Color
VFX

NCIS: New Orleans
Color
VFX

Veep
VFX

Avengers: Endgame
VFX

Big Little Lies S2
Color
VFX

The Middle
VFX

Girls
VFX

Snowfall
Color
VFX

Gilmore Girls: A Year In the Life
VFX

Castle
VFX

True Detective S2-S3
Color
VFX

House
VFX

Weeds
VFX

Zombieland
VFX
VFX
artists

Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.

Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
What we do
Services
VFX
artists

Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.

Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.



