Five Nights at Freddy's 2
Color
Editorial
VFX
I Love LA
Color
Editorial
VFX
Monster: The Ed Gein Story
Color
Editorial
VFX
The Diplomat S3
Color
Dailies
VFX
Editorial
Caught Stealing
Color
Editorial
VFX
Ballard
Color
Editorial
VFX
The Bondsman
Color
Editorial
VFX
Final Destination Bloodlines
Color
Dailies
Editorial
VFX
Elsbeth S1-S3
Dailies
Color
VFX
NCIS S1-S23
Color
VFX
You S1-S5
Color
Editorial
VFX
The Penguin
Color
Editorial
VFX
Dark Matter
Color
Dailies
VFX
Masters of the Air
Color
Editorial
VFX
Bridgerton S1-S3
Color
VFX
Pulse
Bookie
VFX
United States of Al
VFX
The Lincoln Lawyer
Color
VFX
NCIS: Hawai'i
Color
VFX
Julia
Color
Editorial
VFX
McGyver
VFX
And Just Like That...
Color
VFX
Dailies
The Falcon and the Winter Soldier
Color
VFX
NCIS: New Orleans
Color
VFX
Veep
VFX
Avengers: Endgame
VFX
Big Little Lies S2
Color
VFX
The Middle
VFX
Girls
VFX
Snowfall
Color
VFX
Gilmore Girls: A Year In the Life
VFX
Castle
VFX
True Detective S2-S3
Color
VFX
House
VFX
Weeds
VFX
Zombieland
VFX
VFX
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.
Get in touch
VFX
artists
Before joining Picture Shop, Pines led color science at Technicolor after more than 10 years at ILM, where he supervised film scanning/recording and worked with traditional and digital technologies.
He has worked with the world’s most visionary filmmakers and on some of the biggest productions, including Jurassic Park, The Aviator, Gravity, The Revenant, Birdman, among others.
Pines has received two technical achievement awards from AMPAS and the Natalie and Herbert T. Kalmus Medal from SMPTE.
He has always thought that computers could be a useful tool in making movies better, and he still hopes that one day this may come true.
Kutcka has over 30 year's experience across EFILM, Technicolor, and now Picture Shop.
His expertise in designing, vetting, implementing, and supporting sophisticated production workflows is unparalleled.